
Edith Wharton's
The Age of Innocence
February 28 – March 30, 2025
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Credits
By Edith Wharton
Adapted for the Stage by Karen Zacarías
Directed by Hana S. Sharif -
Location
Fichandler Stage
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Running Time
Approx. 3 hours including a 15-minute intermission
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Advisories
This production contains theatrical haze and water-based cigarette smoking
DESIRE IS THE ULTIMATE REBELLION
Against the lavish backdrop of 1870s New York, where hypocrisy thrives and hidden passions simmer, Karen Zacarías brings Edith Wharton's timeless masterpiece, The Age of Innocence, to the stage. This adaptation unveils a searing critique of high society's suffocating norms, presenting a riveting tale of forbidden desires. Surrounded on all sides by an ocean of societal conformity, love clashes with duty, and innocence is sacrificed. Follow the compelling journey of Newland Archer as he grapples with the rigid constraints of privilege, torn between tradition and the allure of forbidden passion.
View The Age of Innocence program
View The Age of Innocence learning guide
Support for The Age of Innocence is provided by Sue Henry and Carter Phillips and .
In-kind media support is provided by The Georgetowner.
Cast
SHEREEN AHMED
Countess Ellen Olenska
REGINA AQUINO
Mrs. Archer and Others
DELPHI BORICH
May Welland
LISE BRUNEAU
Mrs. van der Luyden and Others / Understudy Granny Mingott
FELICIA CURRY
Granny Mingott
ANNA THEONI DIGIOVANNI
Janey Archer and Others / Understudy Countess Ellen Olenska, May Welland
PAOLO MONTALBAN
Julius Beaufort and Others
NOAH MUTTERPERL
Valet and Others / Understudy Dallas Archer
ANTHONY NEWFIELD
Sillerton Jackson and Others
LILY POND
Fanny Ring and Others
NATALYA LYNETTE RATHNAM
Mrs. Welland and Others
A.J. SHIVELY
Newland Archer
JACOB YEH
Dallas Archer and Others / Understudy Newland Archer
KIM BEY
Understudy Mrs. Archer, Mrs. van der Luyden
PETER BOYER
Understudy Julius Beaufort, Sillerton Jackson
LILLI HOKAMA
Understudy Janey Archer, Mrs. Welland
SHEREEN AHMED
Countess Ellen Olenska
Shereen Ahmed (Countess Ellen Olenska) was most recently seen starring as Claudia in the Broadway Center Stage revival of Nine at the Kennedy Center. Broadway: My Fair Lady. National Tour: Eliza in My Fair Lady (LA Drama Critics Circle nomination). Off-Broadway: Franca in The Light in the Piazza (Encores!), Adele in A Man of No Importance (Classic Stage Company). Regional: Ellen in The Age of Innocence (Old Globe world premiere). Shereen has performed at the White House for President Biden, filmed a PBS live telecast performance with the Boston Pops, and starred as Joan in Strike Up the Band and Iolanthe in Gilbert and Sullivan’s Iolanthe at Carnegie Hall. TV/Film: New Amsterdam, Beltline to Broadway, The Broadway Show with Tamsen Fadal. Shereen has been featured in Vogue Arabia and has been recognized as one of ‘40 Under 40’ accomplished Arab Americans in the US for her work in the theater. She was a guest speaker for the United Nations 14th Conference of States Parties and is a global ambassador for Education for Employment (EFE). Shereen holds a BS in Criminal Justice from Towson University. Instagram: @shereen_ahmed
REGINA AQUINO
Mrs. Archer and Others
Regina Aquino she/her/siya (Mrs. Archer and Others) is a proud DC-area native who grew up between DC and Manila. She has performed on most of DC’s stages, at the Kennedy Center, and at Lincoln Center in NYC. She is delighted to return to Arena Stage, previously appearing in Holiday. Nominated for multiple Helen Hayes Awards, in 2019 she earned Outstanding Lead Performer in a Play for her work in The Events, as the first Filipino to receive the distinction, and was named one of Washingtonian magazine’s “10 Biggest Theater Stars of DC.” She founded Origin Stories Productions to create Filipino forward art with multiple film/TV projects in development. Her first feature documentary, Faith Healers, which she wrote, directed, and produced, will have its world premiere at the Manila International Film Festival at the TCL Chinese Theatre in Hollywood this year.
For her children, R and M, always.
DELPHI BORICH
May Welland
Delphi Borich (May Welland) is thrilled to make her Arena Stage debut in The Age of Innocence after originating the role of May Welland at The Old Globe. She recently appeared on Broadway in the Tony-nominated revivals of Into the Woods and Camelot. Delphi's regional credits include Viola in Twelfth Night (Dallas Theatre Center); Emily Webb in Our Town (Lyceum Theatre); Kendra/Jenna in Gloria (Asolo Rep); Belle in Beauty and the Beast, Ariel in The Little Mermaid (Theatre Under the Stars); and more. Television credits include FBI: Most Wanted and WeCrashed. Delphi is passionate about the development of new works like The Age of Innocence by the incredible Karen Zacarías and has had the privilege of working with other talented emerging writers such as Isabella Dawis and Tidtaya Sunotoke, Amanda Jacobs and Lindsay Warren Baker, and Nikki Massoud. Proud graduate of Syracuse University. Instagram: @delphiborich
LISE BRUNEAU
Mrs. van der Luyden and Others / Understudy Granny Mingott
Lise Bruneau (Mrs. van der Luyden and Others / Understudy Granny Mingott) is thrilled to return to Arena where she’s appeared in Watch on the Rhine, Junk, Karen Zacarías’ beautiful Legacy of Light, and others. Other DC performances include Othello as Emilia, Hamlet, and The Winter’s Tale at Shakespeare Theatre; productions at Studio and Theater J; and she recently received a Helen Hayes Award for The Honey Trap at Solas Nua. In New York, she has appeared at the Park Avenue Armory and the Roundabout. She has played in numerous regional theaters across the country, such as the Denver Center (Hesione in Heartbreak House, Henry Award), A.C.T. San Francisco (Sweat), and Cincinnati Playhouse in the Park (The Revolutionists). She is an accomplished director, having helmed numerous productions across the DMV and beyond. Lise trained at RADA and is a Taffety Punk.
FELICIA CURRY
Granny Mingott
Felicia Curry (Granny Mingott) last appeared at Arena Stage in Ken Ludwig’s adaptation of Death on the Nile. Most recently, she was in the one-woman thriller, Sandra, at TheaterWorks Hartford, and performed her solo cabaret at Everyman Theatre. Felicia received a Helen Hayes Award for Lela & Co. at Factory 449 where she is a company member. She is also a Resident Company Member at Everyman Theatre and an Artistic Associate at Ford’s Theatre. Felicia made her Broadway debut in the Tony-nominated revival of Into the Woods, and then toured with the show around the country, including at The Kennedy Center. She has a Berkshire Theatre Critics Award, a RTCC Award, an Anderson-Hopkins Award, and is a two-time AUDELCO nominee for Queens Girl in the World at Abingdon Theatre and Fabulation at The Billie Holiday Theatre, both off-Broadway. Felicia has been named one of “12 DC Stage Dynamos” by The Washington Post and one of “DC’s Biggest Theater Stars” by Washingtonian magazine. She is on the WAPAVA Board of Directors and the Emmy-nominated host of WETA Arts on PBS. Instagram: @thefeliciacurry
ANNA THEONI DIGIOVANNI
Janey Archer and Others / Understudy Countess Ellen Olenska, May Welland
Anna Theoni DiGiovanni (Janey Archer and Others / Understudy Countess Ellen Olenska, May Welland) is over the moon to be making her Arena Stage debut with this classic story. She was recently seen in the Shakespeare Theatre Company's production of Leopoldstadt, and also appeared at The Kennedy Center in the premiereof Through the Sunken Lands and in Mosaic Theater Company’s The Till Trilogy. Other favorite DC credits include Twelfth Night (Her Majesty & Sons, Founding Producer); Cry It Out (Studio Theatre); She Kills Monsters (Rorschach Theatre); Venus in Fur (4615 Theatre); The Revolutionists, Bike America, The Explorers Club (Prologue Theatre); and Pericles (Shakespeare Theatre Company's Academy for Classical Acting). Anna is a proud graduate of The Shakespeare Theatre Company's Academy at George Washington University. www.annadigiovanni.com
PAOLO MONTALBAN
Julius Beaufort and Others
Paolo Montalban (Julius Beaufort and Others) is making his Arena Stage debut! He returns to the area where he played the King in The King and I at Olney Theatre. He’s appeared on Broadway in Breakfast at Tiffany’s, Pacific Overtures, The King and I, and, most recently, in Funny Girl as Florenz Ziegfeld. Off-Broadway, he originated the roles of Kurt Huber in White Rose: The Musical and Tommy Haw in Bella: An American Tall Tale at Playwrights Horizons. Mr. Montalban is best known for his television roles of Prince Christopher in Rodgers & Hammerstein’s Cinderella and Kung Lao on Mortal Kombat: Conquest. He most recently appeared as King Charming in Descendants: The Rise of Red, now on Disney+. He is a Lunt-Fontanne Fellowship recipient and a Lucille Lortel nominee. Instagram: @itspaolomontalban
NOAH MUTTERPERL
Valet and Others / Understudy Dallas Archer
Noah Mutterperl he/him (Valet and Others / Understudy Dallas Archer) is thrilled to make his Arena debut! DC Area: Look Both Ways National Tour (Kennedy Center); Kipps in Woman in Black (Keegan Theatre, Helen Hayes nomination); Paul in American Psycho (Monumental Theatre Company, Helen Hayes nomination); Phoebus in The Hunchback of Notre Dame, Dracula in Dracula: A Comedy of Terrors, Robert in The Drowsy Chaperone, The Who’s Tommy (Workhouse Performing Arts). Upcoming: Senior Class at Olney Theatre Center. Much love to Alyssa, Cap, and the family. nmutterperl.com; Instagram: @noah_mutterperl
ANTHONY NEWFIELD
Sillerton Jackson and Others
Anthony Newfield (Sillerton Jackson and Others)’s Washington, DC, credits include Laurence Olivier in Orson’s Shadow at Round House Theatre and Boyet in Love’s Labour's Lost for the Shakespeare Theatre Company. Broadway credits include 1984, The Father, The Winslow Boy, The Columnist, The Royal Family, Waiting for Godot, and Tartuffe. Off-Broadway credits include Ivanov with Ethan Hawke (Classic Stage), Susan and God (Mint), etc. Irish credits include Ned Weeks in The Normal Heart (The Project, Dublin, and National Tour), T.S. Eliot in Tom and Viv (Rough Magic), and Peer Gynt (Gate Theatre). US regional theater credits include Mr. Bennet in Pride and Prejudice at Baltimore Center Stage, directed by Hana S. Sharif; Arcadia at Boston’s Huntington; Atticus Finch in To Kill a Mockingbird, Horst in Bent (Carbonell Award), etc. TV/film work includes I Melt with You, All My Children, Diagnosis: Murder, etc. www.anthonynewfield.com
LILY POND
Fanny Ring and Others
Lily Pond (Fanny Ring and Others) is delighted to be in her first professional production at Arena Stage. As an Arlington native and graduate of Washington Liberty High School, she benefited greatly from local educational theater programs such as Camp Arena Stage, Educational Theatre Company, Signature in the Schools, and Signature Conservatory. Previous theater credits include Smile Lines (Signature Theatre) and 12 Million Footsteps (Signature Theatre). Favorite past roles include Don Pedro in Funk it Up About Nothin', Woman in the Yellow Dress in Tuck Everlasting: The Musical, and Johnna in August: Osage County. She recently earned her BA in Theatre with minors in Psychology and Dance from Christopher Newport University. Endless love and gratitude to her incredible family and friends for their unwavering support. Instagram: @lilypadpond4848
NATALYA LYNETTE RATHNAM
Mrs. Welland and Others
Natalya Lynette Rathnam (Mrs. Welland and Others) is so excited to be back at Arena! DC-area productions: POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive (Helen Hayes nomination for Outstanding Ensemble), Our War (Arena Stage); Lend Me A Soprano, A Nice Indian Boy (Olney Theatre Center); A Midsummer Night’s Dream (Everyman Theatre); The Last Match (Helen Hayes nominations for Outstanding Supporting Performer and Outstanding Ensemble), The Phlebotomist (1st Stage); A Wind In The Door, Kid Prince and Pablo, Mockingbird, The Wings of Ikarus Jackson (Kennedy Center); 4,380 Nights (Signature Theatre); Bars and Measures, Shame 2.0, When January Feels Like Summer (Mosaic Theater Company); Death of a Salesman (Ford’s Theatre); The Trojan Women (Taffety Punk). Regional: Oregon Shakespeare Festival, Actors Theatre of Louisville, American Stage. Instagram: @natalyalynetterathnam
A.J. SHIVELY
Newland Archer
A.J. Shively (Newland Archer) is making his Arena Stage debut. A.J. has worked extensively in regional theater, including at The Kennedy Center (Bright Star) and Baltimore Center Stage (Pride and Prejudice). Broadway credits include Paradise Square (Tony, OCC, Chita Rivera Award nominations), Bright Star (Drama Desk nomination), and La Cage Aux Folles. Off-Broadway credits include Philadelphia, Here I Come! (Theatre World Awards’ Dorothy Loudon Award; Drama Desk, Lortel nominations) at Irish Repertory Theatre, A Man of No Importance (Lortel Award; OCC nomination) at Classic Stage Company, Titanic at Encores!, and February House at The Public. His film and television work includes leading roles in Other People’s Bodies (upcoming), Julia (HBO Max), Bull (CBS), and Hunters (Amazon Prime). A.J. trained at The University of Michigan and The Royal Academy of Dramatic Art.
JACOB YEH
Dallas Archer and Others / Understudy Newland Archer
Jacob Yeh (Dallas Archer and Others / Understudy Newland Archer) last appeared at Arena Stage in The 51st State. Other DC credits include King of the Yees (Signature Theatre, Helen Hayes nomination for Outstanding Supporting Actor); Vietgone, Chimerica (Studio Theatre); Yellow Face (Theater J); Julius Caesar (Shakespeare Theatre Company); Rosencrantz and Guildenstern Are Dead (Folger Theatre); How the Light Gets In (Helen Hayes nomination for Outstanding Supporting Actor), The Farnsworth Invention, Take Me Out, Fuddy Meers, Trevor (1st Stage); East of Eden (NextStop Theatre, Helen Hayes nomination for Outstanding Supporting Actor); The School for Lies (Constellation Theatre); The Horse and Carriage (Prologue Theatre); Dragon King’s Daughter (The Kennedy Center); Anime Momotaro (Imagination Stage). Regional credits include The Chinese Lady (American Stage, FL). www.jacobyeh.com
KIM BEY
Understudy Mrs. Archer, Mrs. van der Luyden
Kim Bey (Understudy Mrs. Archer, Mrs. van der Luyden) was last seen at Arena Stage in The Little Foxes as Addie. Other DC credits include Maggie in the US premiere of Nine Night and Suzanne in Sleep Deprivation Chamber at Round House Theatre; Citizen One in Something Moving at Ford’s Theatre, and Mary Seacole in Marys Seacole at Mosaic Theater. Additional regional credits are as Auntie Fola in Beneatha’s Place at Baltimore Center Stage and as Lena Younger in A Raisin in the Sun at the Lyric Theatre in Utah. Off-Broadway credits are as Grace in Zooman and the Sign at Second Stage and as Grace in Salt at the Actors Studio. Kim is a voice contributor on the African American History is American History podcast on YouTube.
PETER BOYER
Understudy Julius Beaufort, Sillerton Jackson
Peter Boyer (Understudy Julius Beaufort, Sillerton Jackson) previously appeared at Arena Stage as Henry in Holiday and as Voice in The High Ground. Notable roles include Ebenezer Scrooge in A Broadway Christmas Carol and Whistle in Uprising at MetroStage; Groucho Marx in Groucho: A Life in Revue at Wayside Theatre; Dromio of Syracuse in The Comedy of Errors at Baltimore Shakespeare Festival; Captain Hook in Tinkerbell and Captain Braidbeard in How I Became a Pirate at Adventure Theatre; and Charles Dickens in Discord and Mr. Praed in Mrs. Warren’s Profession at Washington Stage Guild. His recent plays Captain Hook: My Story, Or How I Clawed My Way to the Top and Tofana Bobana have received multiple productions in the Washington-Baltimore area. www.petersbrain.art
LILLI HOKAMA
Understudy Janey Archer, Mrs. Welland
Lilli Hokama (Understudy Janey Archer, Mrs. Welland) is thrilled to return to Arena following last year’s Death on the Nile. Other DC credits include A Midsummer Night’s Dream, Amadeus, and Viola in this spring’s Twelfth Night all at Folger Theatre. As an actor, voice actor, and director, past highlights include The Wolves at Lincoln Center Theater; Little Women (Dallas Theater Center/The Old Globe); Now Circa Then, I and You (Chester Theatre); Matt and Ben (Kitchen Theatre Company); Antigone (Baltimore Center Stage); and Water by the Spoonful, Elf The Musical, and Guadalupe in the Guest Room (Fine Arts Center in Colorado). She presented an original story for We Hear You - A Climate Archive, presented at The Kennedy Center and Dramaten, the Royal Dramatic Theatre in Stockholm. TV credits include Prodigal Son, and several short films including Jellybones and Chip!. It is an honor and privilege for Lilli to be here, eternal gratitude to her partner, family, and friends.
Creative
KAREN ZACARÍAS
Playwright
HANA S. SHARIF
Director
TIM MACKABEE
Set Designer
FABIO TOBLINI
Costume Designer
XAVIER PIERCE
Lighting Designer
CHARLES COES & NATHAN A. ROBERTS
Original Music and Sound Design
TOMMY KURZMAN
Wig and Hair Designer
LISA NATHANS
Dialect and Vocal Coach
OTIS RAMSEY-ZÖE
Dramaturg
STEPHANIE KLAPPER
New York Casting
RAIYON HUNTER
DC Casting
CHRISTI B. SPANN
Stage Manager
STEFANIA GIRON ZULUAGA
Assistant Stage Manager
KAREN ZACARÍAS
Playwright
Karen Zacarías (Playwright) is thrilled to have the opportunity to play on every single stage of her beloved home theater of Arena Stage: Legacy of Light directed by Molly Smith (2009, Crystal City), The Book Club Play directed by Molly Smith (2011, Kogod Cradle), Destiny of Desire directed by Jose Luis Valenzuela (2015, Kreeger Theater), Native Gardens directed by Blake Robison (2017, Kreeger Theater), and now her adaptation of The Age of Innocence directed by Hana S. Sharif (2025, Fichandler Stage). Karen has been hailed by American Theatre magazine as one of the most-produced playwrights in the US. Her adaptation of Shane premiered last year at the Guthrie Theater and Cincinnati Playhouse in the Park, and heads to Dallas Theater Center and to the Oregon Shakespeare Festival this season. Other large regional productions include the world premiere of The Age of Innocence at The Old Globe directed by Chay Yew, a revival of her award-winning time-travel comedy Legacy of Light at McCarter Theatre, and The Book Club Play at Cincinnati Playhouse. She currently has three Broadway-bound musicals, including Destiny of Desire and Five Notes with composer/superstar Gloria Estefan. Other award-winning plays include The Copper Children, Mariela in the Desert, The Sins of Sor Juana, and adaptations of Just Like Us, Into the Beautiful North, How the Garcia Girls Lost Their Accents, and a bilingual Romeo y Juliet. She also has ten award-winning TYA musicals with composer Deborah Wicks La Puma. Karen is a core founder of the Latino Theatre Commons—a large national organization of artists seeking to update the American narrative with the stories of Latinos—and the founder of the award-winning Young Playwrights’ Theater. Karen was voted a 2019 Washingtonian of the Year and awarded the 2019 Sine Fellowship at the American University School of Public Policy, the 2019 Lee Reynolds Award for “social, cultural, or political change with theater,” and the 2019 Medallion by the Childrens Theatre Foundation. She is a 2021 recipient of the United States Artists Fellowship. Karen lives in Washington, DC, with her husband Rett, their three children, and two dogs. She is represented by the Gersh Agency; published by Concord Theatricals and Dramatic Publishing; and has a collection of plays with Oberon Books. www.karenzacarias.com
HANA S. SHARIF
Director
Hana S. Sharif (Director) has directed acclaimed productions of Death on the Nile, Murder on the Orient Express (7 STLCC nominations), A Christmas Carol (4 STLCC nominations, STL A-List Award), Pride and Prejudice (5 STLCC nominations), Porgy and Bess, The Who & The What (3 SFBA Critic Circle nominations), Fun Home, Sense and Sensibility, The Christians, Les Liaisons Dangereuses, Pride and Prejudice (DCArts: Best Director/Best New Play), The Whipping Man, Gem of the Ocean (six CCC nominations), Gee’s Bend (CCC Award Best Ensemble, two nominations), Next Stop Africa, Cassie, The Drum, IFdentity, Pretty Fire, Patient 463, I, Marcus Garvey, Quicksand, Hospice, and The Blacker The Berry. Her plays include All the Women I Used to Be, The Rise and Fall of Day, and The Sprott Cycle Trilogy (1880, 1964, 2010).
TIM MACKABEE
Set Designer
Tim Mackabee (Set Designer) For Arena Stage: Nina Simone: Four Women. For Hana S. Sharif: Murder on the Orient Express, A Christmas Carol (Repertory Theatre of St. Louis), The Who & The What (Marin Theatre). Broadway: The Elephant Man (starring Bradley Cooper), Mike Tyson: Undisputed Truth (dir. Spike Lee). West End: The Elephant Man. Off-Broadway: Dakar 2000, Poor Yella Rednecks, Vietgone, Important Hats… (MTC); Heathers: The Musical (New World Stages); The Last Match (Roundabout); The Penitent, Our New Girl, Guards at the Taj (Atlantic); Luce (Lincoln Center Theater); Gigantic (Vineyard). Regional: Oh yes, lots. Music Video: Carly Rae Jepsen’s “Surrender My Heart”. TV: Gotham, Smash, The Today Show. Education: North Carolina School of the Arts, Yale School of Drama. Instagram: @timmackabeedesign
FABIO TOBLINI
Costume Designer
Fabio Toblini (Costume Designer) Broadway: Romeo and Juliet, Richard Rodgers Theatre. Off-Broadway original productions: Hedwig and the Angry Inch, Bat Boy: The Musical, The Divine Sister, Pip’s Island. Fabio’s most recent credits include Master Class at Arizona Theatre Company and Murder on the Orient Express at Repertory Theatre of St. Louis. Other theater credits include American Players Theatre, Baltimore Center Stage, Huntington Theatre, Chicago Shakespeare Theater, Oregon Shakespeare Festival, The Old Globe, Hartford Stage, Guthrie Theater, Alley Theatre, Long Wharf Theatre, Children’s Theatre Company, Ford’s Theatre, and Studio Theatre. Opera: Santa Fe Opera, Wexford Festival Opera (IE), Opera Theatre of St. Louis, Nationale Reisopera (NL), Landestheater (AU), Gotham Chamber Opera, Portland Opera. Ballet: Ballet Arizona. Awards: 2024 St. Louis Theater Circle Award, 2018 Craig Noel Award, 2015 Craig Noel nomination, 2015 Connecticut Critics Circle nomination, 2012 and 2016 Connecticut Critics Circle Award, 2008 Irene Sharaff Young Master Award, 2001 Lucille Lortel nomination. www.fabiotoblini.com
XAVIER PIERCE
Lighting Designer
Xavier Pierce (Lighting Designer)’s professional credits include Steppenwolf Theatre (Chicago, IL), Chicago Shakespeare Theater (Chicago, IL), Public Theater (NYC), Oregon Shakespeare Festival (Ashland, OR), Guthrie Theatre (Minneapolis, MN), McCarter Theatre Center (Princeton, NJ), Long Wharf Theatre (New Haven, CT), Alley Theatre (Houston, TX), Ford’s Theatre (Washington, DC), Repertory Theatre of St. Louis (St Louis, MO), Seattle Repertory Theatre (Seattle, WA),Arena Stage (Washington, DC), Indiana Repertory Theatre (Indianapolis, IN), Arden Theatre (Philadelphia, PA), Philadelphia Theatre Company (Philadelphia, PA), PlayMakers Rep (Chapel Hill, NC), Westport Country Playhouse (Westport, CT), TheatreWorks (Palo Alto, CA) Asolo Repertory Theatre (Sarasota, FL); Alliance Theatre (Atlanta, GA); American Repertory Theater (Cambridge, MA), Portland Center Stage (Portland, OR), George Street Playhouse (New Brunswick, NJ), Syracuse Stage (Syracuse, NY), Two River Theater (Red Bank, NJ), Olney Theatre Center (Olney, MD), Intiman Theatre (Seattle, WA), Arizona Theatre Company (Phoenix, AZ), Florida Studio Theatre, Arkansas Shakespeare Theatre, Triad Stage (Greensboro, NC & Winston-Salem, NC), Children’s Theatre of Charlotte (Charlotte, NC), and Crossroads Theatre (New Brunswick, NJ). Xavier is a graduate of New York University Tisch School of the Arts MFA in Design Stage and Film.
CHARLES COES & NATHAN A. ROBERTS
Original Music and Sound Design
Charles Coes (Original Music and Sound Design) is happy to be back at Arena, where he has designed Death on the Nile and Jitney. Recent credits in NY are Comedy of Errors (Public Mobile Unit), Beautiful Lady (La MaMa), Golden Shield (MTC), Letters of Suresh (2ST), Small World Stories (Phantom Limb), Sing Street (NYTW), and Natural Shocks (WP). He has also designed shows that have toured through the DC area, including The Masked Singer Live, Into the Woods, and Peter and the Starcatcher. He has worked in regional theaters across the country and toured internationally with Homer’s Coat’s productions of An Iliad and Song of Rome. He has been a regular associate on Broadway shows including Girl from the North Country, To Kill a Mockingbird, Junk, and Peter and the Starcatcher.
Nathan A. Roberts (Original Music and Sound Design) is a multi-instrumentalist, composer, instrument-maker, and sound designer who specializes in creating original music and soundscapes for plays, often live onstage. Previously for Arena Stage: Death on the Nile. DC Theater: The Widow Lincoln, Our Town (Ford’s Theatre); The Servant of Two Masters (Shakespeare Theatre). Off-Broadway: Golden Shield (Manhattan Theatre Club); Letters of Suresh (Second Stage); Crane Story, Dramatis Personae (The Playwrights Realm). Regional: The Way the Mountain Moved, Sense and Sensibility (Oregon Shakespeare Festival); Miss You Like Hell, Fun Home, The Christians, Les Liaisons Dangereuses (Baltimore Center Stage); Animal Farm (Milwaukee Rep); Sense and Sensibility (Dallas Theater Center/Guthrie Theater); Tokyo Fish Story (The Old Globe). Education: MFA, Yale School of Drama. Faculty: Senior Lecturer in Theater, Dance, and Performance Studies, Yale University.
TOMMY KURZMAN
Wig and Hair Designer
Tommy Kurzman (Wig and Hair Designer) is thrilled to be back at Arena! Arena credits include POTUS and The High Ground. Broadway: Uncle Vanya, I Need That, Gutenberg! The Musical!, The Cottage, Peter Pan Goes Wrong, Pictures From Home, The Collaboration, Macbeth, Mrs. Doubtfire, All My Sons, True West, Saint Joan, My Fair Lady, Little Foxes, Long Day’s Journey, Bright Star, The King and I, and Fiddler on the Roof. Off-Broadway: Little Shop of Horrors (Westside Theatre), Titaniqué, Roundabout, MCC, MTC, Atlantic, The New Group, The Public, New World Stages. Regional: The Muny, Goodspeed Musicals, Drury Lane Theatre, Chicago Shakespeare Theater, The Huntington, and Geva Theatre. Instagram: @tommykurzmanwigs
LISA NATHANS
Dialect and Vocal Coach
Lisa Nathans (Dialect and Vocal Coach) is thrilled to be coaching again for Arena Stage with this fabulous team after previously coaching Agatha Christie’s Death on the Nile, The Other Americans, Data, POTUS, Holiday, Catch Me If You Can, Disney’s Newsies, Anything Goes, and others. Other DC credits include various productions with The Kennedy Center Theater for Young Audiences, Shakespeare Theatre Company, Olney Theatre Center, Signature Theatre, Theater Alliance, Keegan Theatre, and MetroStage. Regional credits include Guthrie Theater, 5th Avenue Theatre, and Theatricum Botanicum. TV credits include National Geographic. Teaching (USA and UK): University of Maryland: TDPS (Associate Professor, Voice, Speech, and Acting); CalArts; Stella Adler Academy; RADA; Royal Welsh; Royal Central; University of Washington (PATP MFA); and University of Minnesota (Guthrie BFA). Training: Royal Central School of Speech and Drama: MFA (Voice Studies); Boston University: BFA (Acting); Linklater Voice Designation; and Colaianni Speech Practitioner. Break legs all!
OTIS RAMSEY-ZÖE
Dramaturg
Otis Ramsey-Zöe (Dramaturg) is a care worker, dramaturg, director, theater arts educator, and Literary Manager at Arena Stage. He has developed new works at such institutions as Sundance Institute, Kennedy Center, Alabama Shakespeare Festival, Playwrights Center, and National New Play Network. He has held posts in Dramaturgy at the David Geffen School of Drama at Yale and Carnegie Mellon University, Theatre at Northeastern University, Women’s Studies and Honors Humanities at the University of Maryland, Performing Arts at American University, and Theatre Arts at Howard University. He was Associate Artistic Director at banished? productions, Future Classics Program Coordinator at the Classical Theatre of Harlem, Literary Manager at Center Stage, and an Allen Lee Hughes Senior Fellow at Arena Stage.
STEPHANIE KLAPPER
New York Casting
Stephanie Klapper (New York Casting)’s award-winning work is frequently seen on Broadway, off-Broadway, regionally, on concert stages, film, television, and streaming media. Select recent credits include The Night of the Iguana (Signature Theatre); Sump’n Like Wings (Mint Theater); Dig (Primary Stages); Henry IV (New York Classical Theatre); Ahrens and Flaherty’s Knoxville (Clarence Brown); Cape Playhouse season; Beautiful (Capital Rep); Karen Zacarías’ Shane (Cincinnati Playhouse in the Park/Guthrie Theater, world premiere); ElfQuest: The Audio Movie, and Ranked, the musical/HBO documentary. SKC is known for its limitless imagination and creativity, as well as connecting creative, caring people to each other to make extraordinary things happen. SKC is committed to expanding diversity, education, equity, and inclusion in the business. Member of Casting Society of America, Board Member of Casting Society Cares, and preliminary judge of the Jimmy Awards. www.klappercasting.com
RAIYON HUNTER
DC Casting
Raiyon Hunter (DC Casting) is a casting director, producer, and arts administrator from New Orleans, Louisiana. She currently works as the Casting Director/Line Producer of Arena Stage. Previously, she worked as the Casting Director of Children’s Theatre Company and the Spelman Leadership Fellow at the Alliance Theatre (Atlanta, GA) where she has contributed to a multitude of shows in varying capacities ranging from Casting Associate to Director on productions such as Do You Love the Dark?, Darlin’ Cory, Bina’s Six Apples, Good Bad People, Confederates, and more. Additionally, she has been in residency at Oregon Shakespeare Festival under Nataki Garrett and The Repertory Theatre of St. Louis under Hana S. Sharif.
CHRISTI B. SPANN
Stage Manager
Christi B. Spann (Stage Manager) has been working as a stage manager in DC since 2011. Recent Arena Stage productions include Holiday, The High Ground, Exclusion, POTUS, Tempestuous Elements, and Agatha Christie’s Death on the Nile. She previously spent 12 seasons on the stage management staff at the Denver Center Theatre Company and has also worked with The Great River Shakespeare Festival in Winona, MN, and Virginia Repertory Theatre in Richmond, VA.
STEFANIA GIRON ZULUAGA
Assistant Stage Manager
Stefania Giron Zuluaga (Assistant Stage Manager)’s credits include A Funny Thing Happened on the Way to the Forum (Signature Theatre); Murder on the Orient Express, Destiny of Desire (The Old Globe); Something’s Afoot, Songs of the Moon, Into the Woods (5th Avenue Theatre); Quixote Nuevo, Fat Ham, The Tempest, I Am Not Your Perfect Mexican Daughter (Seattle Rep); Quixote Nuevo, Seussical (South Coast Rep); A Christmas Carol (ACT); Little Shop of Horrors, Mamma Mia!, and The Book Club Play (Village Theatre). Beyond The Stage Door 2024 Cohort. Education: Seattle University.
Videos
Special Performance Notes
Early Curtain
Sunday, March 23, 6:00PM
Southwest Nights
Sunday, March 9, 2:00PM
Friday, March 14, 8:00PM
Audio-Described Performance
Saturday, March 22, 2:00PM
ASL-Interpreted Performance
Saturday, March 29, 8:00PM
Mask-Required Performances
Saturday, March 8, 2:00PM
Tuesday, March 25, 7:30PM
Post-Show Conversations
Wednesday, March 12, 12:00PM
Thursday, March 20, 12:00PM
Wednesday, March 26, 12:00PM
Industry Night
Sunday, March 2, 7:30PM
Celebrate #DCTheatre with a pre-show mixer with fellow DC-area theater staff and artists before the 7:30 p.m. performance.
Pride Night
Wednesday, March 5, at 7:30PM
Join members of the LGBTQIA+ community, family, and friends. Get $39 tickets to the 7:30 p.m. performance with promo code PRIDE.
HBCU/Divine 9 Night
Thursday, March 13, at 8PM
Rep your colors! Calling all of our Divine 9 members and HBCU students, staff, and alumni to come out to the show that will have everyone talking! Use promo code HBCU or NPHC for 30% off tickets to the 8 p.m. performance.
Special Events
Steeped in Success: Ladies Tea Party - CURRENTLY SOLD OUT
Saturday, March 15, 12-2PM
Join us for a splendid affair celebrating Women's History Month, honoring remarkable women who shape and inspire our community. Toast their extraordinary contributions while indulging in the finest tea, delectable small bites, and a stunning fashion showcase. Inspired by The Age of Innocence, it will be an unforgettable afternoon. We look forward to making your acquaintance.